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ERIC DOLPHY Music Matador

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http://cover6.cduniverse.com/MuzeAudioArt/Large/52/296552.jpg

FLAC / TRACKS / LOG
Total time: 48:14
Label: Jazz Hour

Recorded in 1963. Includes liner notes by William Hogeland.

Personnel:
Eric Dolphy - alto saxophone, flute, bass clarinet
J.C. Moses
Charles Moffet - drums
Eddie Kahn - bass
Huey Simmons - alto saxophone
Also:
Bobby Hutcherson, Woody Shaw, Clifford Jordan, Prince Lasha, Richard Davis

TrackListing:
1. Jitterbug Waltz (Maltby, Waller) 7:13
2. Music Matador (Lasha, Simmons) 9:28
3. Alone Together (Dietz, Schwartz) 13:29
4. Come Sunday (Ellington)     6:29
5. Ode to Charlie Parker (Byard)             8:13
6. Love Me (Washington, Young)     3:17

За пост спасибо торренту, и уже становящийся традиционным для торрента вопрос: нет ли у кого полных сканов.

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Спасибо, жаль без сканов.

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Этот диск, изданный в популярной серии "Час джаза", содержит 6 из 9 композиций альбома "The Complete Memorial Album Sessions".
Не включены: Burning Spear (11:53), Iron Man (9:10) и Mandrake (4:45).
Так выглядит заметка из All Music Guide (Review by Ken Dryden):
The Complete Memorial Album Sessions collects all nine tracks originally recorded for the Douglas label in 1963 and issued in various forms over the years (often in piecemeal fashion) following Eric Dolphy's death a year after the sessions were completed. Incredibly, this was Dolphy's first opportunity to record as a leader since finishing his last album (issued by Prestige) nearly two years earlier. Fortunately, Dolphy was evidently given free reign by the producer, so the personnel he chose and the arrangements are rather adventurous. A nonet including Woody Shaw, Clifford Jordan (on soprano sax), alto saxophonist Sonny Simmons, flautist Prince Lasha, and Bobby Hutcherson is heard in the tantalizing "Burning Spear." A scaled-down group showcases the leader on flute in a spirited take of Fats Waller's "Jitterbug Waltz." But perhaps the most striking performances are Dolphy's three duets with bassist Richard Davis, especially on bass clarinet in Duke Ellington's "Come Sunday" and flute in Jaki Byard's "Ode to Charlie Parker." To top it off, Dolphy completes the date with a powerful unaccompanied alto sax solo interpretation of "Love Me."

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